Photographer: The firm of J. Lafayette, 179 New Bond Street, London, W.
Evidence of the Studio at work: -
No of poses: 5.
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Biog: Burke's Peerage; Who's Who; The Times, 20 June 1921, p 13e. (See also Mrs. George Cornwallis-West, The Reminiscences of Lady Randolph Churchill, London, 1908, p 301 ff; George Cornwallis-West, Edwardian Heydays, London, 1930; Ralph G. Martin, Lady Randolph Churchill: A Biography, London, 1974, Vol II, pp 107-111.)
Occasion: Sophia Murphy, The Duchess of Devonshire's Ball, London, 1984.
Costume: The Chicago Tribune, 3 July 1897, p 3a & b; The New York World, 3 July 1897, p 7a; Vanity Fair, 8 July 1897, p 27b; Lady's Pictorial, 10 July 1897, p 50b [sketch]. (See also The Gentlewoman, 8 January 1898, p 59a.) See also: theodora_lit.html
Costume Designer: Vanity Fair, 8 July 1897, p 18b.
Costume Supplier: J.P. Worth, A Century of Fashion, Boston, 1928, p 131.
Reproduced: The Daily Graphic, 15 May 1911, p 6; The Lady's Pictorial, 27 May 1911, p 902; (Versions) Devonshire House Fancy Dress Ball, July 2 1897: A Collection of Portraits in Costume of Some of the Guests, privately printed, 1899, p 203, (National Portrait Gallery Archives); J.P. Worth, A Century of Fashion, Boston, 1928, p 131; (version signed 'mother') Peregrine Churchill and Julian Mitchell, Jennie, Lady Randolph Churchill: A Portrait with Letters, London, 1974, opp. p 192.
Acknowledgements: (Props) Lark Mason Jr, Sotheby's, New York.
1. Her obituary in The Times gives Jennie's first name as Jeannette; she reverted to the use of her first married name, "Lady Randolph Churchill", after the dissolution of her second marriage.
2. Theodora (c. 500-548 AD), Byzantine Empress; m (525 AD) Emperor Justinian I (reigned 527-565 AD) (Encyclopaedia Britannica). For treatments of the life of Theodora familiar to the late 19th century, see inter alia, Edward Gibbon, Decline and Fall of the Roman Empire, London, 1776; Procopius' Anecdota in Corpus Scriptorum Historiæ Byzantinæ, Bonn, 1833-38; Sir Henry Pottinger, The Gift of God: A Romance of Old Constantinople, London, 1879; Victorien Sardou, Théodora, first performed Paris, 1884 (Sarah Bernhardt in the title role).
3. For costume sources see the Ravenna mosaics and costume designs for Sarah Bernhardt in the role of Théodora by M. Orazi and M. Th. Thomas. Refs: Les Premières Illustrées, (Vols 3-4), 1883-1884, p 25. See also cloak by Worth made for Nellie Melba to wear in Lohengrin 1891. (Diane de Marly, Worth: Father of Haute Couture, London, 1980, illustration p 183). The costume was worn on at least two more occasions: 'The Tableaux and Burlesque at Blenheim', January 1898 (See The Gentlewoman, 8 January 1898, p 59) and 'The Royal Fancy Dress Ball at the Savoy Hotel', 18 May 1911 (See The Daily Graphic, 15 May 1911, p 6 and Lady's Pictorial, 27 May 1911, p 902.)
4. Jean Joseph Benjamin Constant (1845-1902), French orientalist and society portrait painter. His painting of "Theodora" was exibited in 1887.