ANDRÉ, A VON

Neg. No: GP (L) 1457

Neg. Size: 15"x12"

Neg. Date: None

Sitter: Baron Adolf von André (d 1911).

Image displayed in:

Role: Benvenuto Cellini.⁽¹⁾

Date: 14 July 1897.

Occasion: The Devonshire House Ball, 2 July 1897.

Location: The Lafayette Studio, 179 New Bond Street, London W.

Descr: FL standing.

Costume: "...jerkin, brown velvet, with crimson slashes; vest, pink silk slashed with grey satin; low-crowned cap, the brim slashed and puffed with crimson, and embroidered gold; green and white feather curling on right side; fine gold chain round neck of shirt." (The Gentlewoman, 10 July 1897, p 58b)

Costume Supplier: Alias, 36 Soho Square, London, W.c

Jewellery: -

Furniture & Props: Painted backdrop.

Photographer: The firm of J. Lafayette, 179 New Bond Street, London, W.

Evidence of photographer at work: Base of clamp visible behind sitter's feet.

No of poses: 2 [This negative marked as a reject].

Madame von André 1897	Baron von André 1897	Baron von André 1897

Copyright: &A

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References:

Biog: The Times, 11 May 1911, p 7f; The Court Journal, 18 May, 1911, p 536.

Occasion: Sophia Murphy, The Duchess of Devonshire's Ball, London, 1984.

Date: See neg. no. 1459

Role and Costume: The Daily Graphic, 3 July 1897, p 13a; The Daily News, 3 July 1897, p 5g; The Standard, 3 July 1897, p 4e; Truth, 8 July 1897, p 108b; The Gentlewoman, 10 July 1897, p 52 (line drawing) & 58b.

Costume Supplier: The Daily Graphic, 3 July 1897, p 13a; Truth, 8 July 1897, p 108b.

Jewellery: -

Reproduced: (Version) Devonshire House Fancy Dress Ball, July 2 1897: A Collection of Portraits in Costume of Some of the Guests, privately printed, 1899, p 130, (National Portrait Gallery Archives).

Acknowledgements: -

1. Benvenuto Cellini (1500-1571) Florentine sculptor and goldsmith; author of an autobiography describing various exploits and amorous adventures, published in 1728 and later translated (English versions appeared in 1822, 1828, 1847, 188 and 1896), German (first translated by Goethe and published in 1798, 1803 and 1872), as well as French. In the 19th century, the life of Benvenuto Cellini was the subject of two ballets and at least nine operas, including Hector Berlioz' Benvenuto Cellini (first performed Paris 1838) and Camille Saint-Saëns' Ascanio (first performed Paris 1890) {RH}.